Davinci Resolve
Colour Space Transform Overview...

Log, Linear, Raw?… Arri, Red, Sony, Panasonic… Cinematographers have multiple formats to make use of, it could be the high resolution of Red for VFX, the popularity of the Arri image, a Sony mirrorless camera in as a crash cam… and colourists are faced with the post production hassle of matching these various formats. CST in Davinci Resolve gives users a ACES like workflow that can be used on a clip by clip basis. I hope this overview helps you.

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