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Log, Linear, Raw?… Arri, Red, Sony, Panasonic… Cinematographers have multiple formats to make use of, it could be the high resolution of Red for VFX, the popularity of the Arri image, a Sony mirrorless camera in as a crash cam… and colourists are faced with the post production hassle of matching these various formats. CST in Davinci Resolve gives users a ACES like workflow that can be used on a clip by clip basis. I hope this overview helps you.
Camera Operator, Gimbal Tech, DOP, Bald Bearded Bloke?… With a eye watering and inward wincing amount of years experience in live television, Broadcast News, shoe string shorts and glossy fashion, music and lifestyle promotions i look to be your everything camera, lighting and movement.
Be it Arri, Sony and Red or GoPro, from Ronin 2 to Movi Carbon, from handheld, Gimbal to Segwaying ArmorMan Clad eyesore, i’ll be everything you hope for and chuck in beard oil and maintenance tips for free :)
